In 1909, the Queensboro Bridge opened as the longest cantilever bridge in the United States, linking Manhattan to the rapidly developing industrial hub of Long Island City. That same year, just beyond the bridge’s eastern landing, the Metropolitan Building was constructed. The substantial timber and masonry structure was designed to support heavy manufacturing and storage. With its tall ceilings, expansive floor plates, and enduring materials, the building reflected the architectural priorities of the era: utility, permanence, and scale. For much of the 20th century, it served as a warehouse, standing as a quiet yet prominent example of early industrial architecture in New York City.

Nearly 70 years later, in 1980, the building entered a new chapter. Eleanor Ambos, a prominent antique furniture dealer and designer with a thriving Manhattan business, purchased the property. She transformed it into a one-of-a-kind creative enclave—housing artisan studios, upholstery workshops, and storage for her collection of European antiques.

Over the years, the building transformed into a venue for photo shoots and films, weddings, and events; a unique space that inspired the imagination.

What followed was a quiet evolution into one of New York City’s most distinctive venues. With its soaring ceilings, ornate architectural details, and romantic patina, the Metropolitan Building became a magnet for photographers, filmmakers, designers, and couples seeking a setting like no other.

Today, more than 115 years after its original construction, the Metropolitan Building has undergone a restoration and once again redefines its purpose. Now home to leading creative platforms like The Somerset House , the building continues its legacy as a center for imagination, craftsmanship, and timeless design.